Monday, September 26, 2011

Seal - Kiss From A Rose







Seal - Kiss From A Rose


There used to be a graying tower alone on the sea.

You became the light on the dark side of me.
Love remained a drug that's the high and not the pill.
But did you know,
That when it snows,
My eyes become large and
The light that you shine can be seen.
Baby,
I compare you to a kiss from a rose on the gray.

Ooh,
The more I get of you,
The stranger it feels, yeah.
And now that your rose is in bloom.
A light hits the gloom on the gray.
There is so much a man can tell you,
So much he can say.
You remain,
My power, my pleasure, my pain, baby
To me you're like a growing addiction that I can't deny.
Won't you tell me is that healthy, baby?
But did you know,
That when it snows,
My eyes become large and the light that you shine can be seen.
Baby,
I compare you to a kiss from a rose on the gray.
Ooh, the more I get of you
The stranger it feels, yeah
Now that your rose is in bloom.
A light hits the gloom on the gray,
I've been kissed by a rose on the gray,
I've been kissed by a rose
I've been kissed by a rose on the gray,
...And if I should fall along the way
I've been kissed by a rose
...been kissed by a rose on the gray.
There is so much a man can tell you,
So much he can say.
You remain
My power, my pleasure, my pain.
To me you're like a growing addiction that I can't deny, yeah
Won't you tell me is that healthy, baby.
But did you know,
That when it snows,
My eyes become large and the light that you shine can be seen.
Baby,
I compare you to a kiss from a rose on the gray.
Ooh, the more I get of you
The stranger it feels, yeah
Now that your rose is in bloom,
A light hits the gloom on the gray.
Yes I compare you to a kiss from a rose on the gray
Ooh, the more I get of you
The stranger it feels, yeah
And now that your rose is in bloom
A light hits the gloom on the gray
Now that your rose is in bloom,
A light hits the gloom on the gray.

Thursday, September 1, 2011

7 Simple Ways to Tap into Your Creative Side


You are your own brand and it's important to convey what your brand stands for to the world. Understanding the role of design in that message is essential.

So tap into your creative side.

You may feel burned out.

Tap into your creative side.

You want to get in touch with your inner self.

Tap into your creative side.

Here are seven ways to do just that:

1) Read a magazine
You may not have time to ready a book, but you can certainly devour an article or two. Pay attention to the magazine's design and layout. Also study the words and the writing style.

2) Go shopping
And you don't even have to spend money. Although, our economy would sure appreciate it if you do!

Pay attention to how manufacturers package their products. How retailers display them. How they promote special deals and new items. The way they group products together. Where things are located in the store.

3) Visit an art museum
Study a particular work. What is the artist saying? How does he or she convey it? What colors and textures did they use?

4) Spend time with kids
See the world through their eyes. Learn how to explore like they do. Pay attention to the questions they ask.

5) Listen to great music
What does it make you feel? How do the lyrics and the music fit together? If it's classical music, listen closely to the crescendos. If you're listening to jazz, take in the improvisational solos and the crispness of each note.

6) Go to a nice restaurant
Look at how their menu is designed. How the staff presents the entrees. How they display the food on your plate. The design of the restaurant itself.

7) Write
Taking a note from the excellent book, The Artist's Way, write down anything and everything that comes to your mind. Get in touch with yourself. Don't edit or analyze. Just write whatever you think, whether it's good or bad.

Consider going somewhere with a lot of activity. Use your senses to write down what you see, hear, feel, and smell. 

We thought we'd close with a quote on creativity that we just love:

"Creativity is a type of learning process where the teacher and pupil are located in the same individual."  ~ Arthur Koestler

We'll bet you can get a good grade in that class!

Thanks so much for spending some of your day with us. Until next time, here's to your BIGG success!

Friday, August 19, 2011

Massive Attack - Angel



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"Angel"

[Horace Andy]

You are my angel
Come from way above
To bring me love

Her eyes
She's on the dark side
Neutralize
Every man in sight

To love you, love you, love you ...

You are my angel
Come from way above

To love you, love you, love you ...

Tuesday, August 16, 2011

ENIGMA - MMX - The Social Song

ENIGMA - MMX - The Social Song  

 

Wiki  



Ama jefarerida coro so fobi 
Mariama le godo foro gosta gei 
Hemei jalacarija coroco fouja 
Sama fini recina solo gofo lebei 

There is a rhythm in your mind 
You'll feel the power deep inside 
Oh let's celebrate every single day. 
There ain't no mountain I can't climb 
The melody makes me high 
Sing a song along the way 
(Sing the song)

Monday, August 15, 2011

Francisco Goya - Maja



Maja

The Nude Maja, ca. 1800. Said to be the first explicit depiction of female pubic hair in a large Western painting, though others had hinted at it before.
The Clothed Maja, ca. 1803, the more chaste companion, but teasing, provocative, panel
Two of Goya's best known paintings are The Nude Maja (La maja desnuda) and The Clothed Maja (La maja vestida). They depict the same woman in the same pose, naked and clothed, respectively. Without a pretense to allegorical or mythological meaning, the painting was "the first totally profane life-size female nude in Western art".[15]
The identity of the Majas are uncertain. The most popularly cited models are the Duchess of Alba, with whom Goya was sometimes thought to have had an affair, and Pepita Tudó, mistress of Manuel de Godoy; Godoy subsequently owned them. Neither theory has been verified, and it remains as likely that the paintings represent an idealized composite.[16] The paintings were never publicly exhibited during Goya's lifetime. They were owned by Manuel de Godoy, the Prime Minister of Spain and a favorite of the Queen, María Luisa.[17] In 1808 all Godoy's property was seized by Ferdinand VII after his fall from power and exile, and in 1813 the Inquisition confiscated both works as 'obscene', returning them in 1836 to the Academy of Fine Arts of San Fernando.[18]

Sunday, July 24, 2011

Psychiatry ... and what is all about?

 
Psychiatry is not science ... it is an art

Thursday, July 21, 2011

No Mercy - Missing



"No Mercy"
(feat. The-Dream)
 

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[The-Dream - Chorus]

There's no mercy for me
No crying myself to sleep
No mercy for me
Nightmares have become my dreams
No mercy for me
Good morning reality
Will I wake we'll never know
I'm late for my date with destiny
Let me go
Let me go
You've got to let me go
Right or wrong
Let me go
I'm on my path
Let me go

[T.I. - Verse 1]

My mama loved me more than i do
She said you pap was just like you
Trapped in a vicious circle
Jesus youngest disciple
Tell the judge if he throwed the book at me
Make it the bible
Start calling myself the king
For lack of a better title
Loyal beyond belief to my detriment
It's so vital I change or blow opportunities
Like a choir recital
Now while I do not care who telling
Meanwhile selling powder puts food in the bellies
Well it's unfortunate
The orphanage couldn't keep up the mortgages
Kid go to school stupid they teachers ignoring it
Sorta just doomed, forced into being a goon, selling kush in a jar
Mixing up (guitar?) in a balloon
Consumed with the same way of life i left
Everything I know now learned by myself
All you see are the whips
The Maseratis Ferraris
So they don't sympathise
Don't nobody feel sorry
No mercy

[Chorus]

There's no mercy for me
No crying myself to sleep
No mercy for me
Nightmares have become my dreams
No mercy for me
Good morning reality
Will I wake we'll never know
I'm late for my date with destiny
Let me go
Let me go
You've got to let me go
Right or wrong
Let me go
I'm on my path
Let me go

[T.I. - Verse 2]

Everybody's standing and waiting an they're hating
Gospels say they should forgive me
They'd rather hand me to satan
Blatant displays the day of hypocrisy
Boy you got to be kidding
Could it be possibly the second coming of Pac is me?
Remember That
When he was here
And when he died you realized you need him here
God with me partner
Ain't no one for me to fear
Hindsight 20/20
Future not as clear
But I'm a rider till i die
Put bullets 'tween my eye
I just ask that I can make my peace with god and say goodbye
Forgot the world like lady Di
Hone the day he died
His wife and sons and daughters know that every day he tried
To be a person nah they wanted better verses
They could market to the merchants
But when they closed curtains
You could be for certain ain't nobody perfect
But when you're rich nobody gives a shit
No Mercy

[Chorus]

There's no mercy for me
No crying myself to sleep
No mercy for me
Nightmares have become my dreams
No mercy for me
Good morning reality
Will I wake we'll never know
I'm late for my date with destiny
Let me go
You've got to let me go
Let me go
Let me go
Let me go
 

Wednesday, June 15, 2011

Min The God of Fertility

Min (god) From Wikipedia, the free encyclopedia

Min, God of Fertility, Power and the Eastern Desert...
by Caroline Seawright
September 10, 2001
Ithyphallic Min holding a flail Min, God of Fertility, Power and the Eastern Desert...
mnw
The Min Palette Min (Menew, Amsu) was one of the Egyptian gods worshiped from predynastic times. The earliest forms of the god - his fetish - was of a barbed arrow, a belemnite fossil or a thunderbolt. (The strange arrow, over time, became the first hieroglyph, the one above the standard, in his name - mnw )
A Gerzean palette known as the El Amrah Palette also had a second name, the Min Palette, because it had the symbol of the fertility god on it. Unlike in the hieroglyph, this looks more like a double-ended arrow (on a hook).
Another piece from El Amrah (near Abtu (Abydos)) was an ivory statuette of a man that stood with his legs together, his arms at his sides and an erect penis. This, too, was probably another early representation of the god. The predynastic ruler, the Scorpion King, was believed to have worshiped both Min and Set. Gebtu (Koptos) was Min's cult centre from the earliest times. Later, he was associated with Khent-Min (Panopolis, Akhmim).
Statue of Min Min was always a god of fertility and sexuality. He was shown as a human male with an erect penis. In Egyptian times, he was usually an ithyphallic bearded mummiform man, standing with both legs together, an arm raised holding his symbol or a flail and wearing the same low crown with twin plumes as Amen. (The way he holds his flail might be symbolic of sexual intercourse - the flail forms the V while his upraised forearm seems to thrust inside the V.) The Egyptian paintings and reliefs on tomb walls and temples didn't show Min's other arm, but the statues of the god show him with his hand encircling the base of his penis. During New Kingdom times he was sometimes shown as a white bull, an animal sacred to the fertility god.
... Min, Bull of the Great Phallus,
...
You are the Great Male, the owner of all females.
The Bull who is unites with those of the sweet love, of beautiful face and of painted eyes,
Victorious sovereign among the Gods who inspires fear in the Ennead.
...
The goddesses are glad, seeing your perfection.
-- Hymn to Min
He was associated with the Egyptian long-leaf lettuce - an aphrodisiac to the ancient Egyptians because the lettuce was tall, straight and secreted a milky substance when pressed! (This was also a favourite food of Set.) Min was often shown standing before offering tables, covered with heads of lettuce.
Sekhmet as the god Min Mut-Isis-Nekhbet as Min The fertility god was associated both with Horus the Elder (Min-Horus) in the Middle Kingdom and with Amen (Amen-Min) in New Kingdom times to show the creative force of both gods. At times, even some goddesses have been shown with the body of Min!
The goddess Sekhmet as the Eye of Ra, for instance, showing that Min also has a destructive side, rather than just creative. She was shown with the body of an ithyphallic Min and the head of a lioness. (There are some indications that there was a ritual in the Egyptian military for ensuring the subjugation of prisoners - as in the story of Set and Horus - it involved 'impregnating' (and so emasculating) the prisoner, and so the erect state of the penis could relate to victory over the enemy.) The flail was often used to show the pharaoh's supremacy over his enemies, and was therefor linked to both power and destruction.
There was also a composite deity called "Mut-Isis-Nekhbet, the Great Mother and Lady" who was shown as a winged goddess with leonine feet, an erect penis and three heads - a lion head wearing Min's headdress, a woman's head wearing the double crown of Egypt and a vulture's head wearing the red crown of Lower Egypt.
Min wasn't just a fertility god, such as Hapi or Osiris, who only presided over the fields - he was also a god of male fertility who could give the pharaoh (and other men) the power to father a child. He also presided over the sed (jubilee) festival of the pharaoh (where the pharaoh had to run around a course set by the priests, carrying different objects), symbolically rejuvenating the pharaoh to give him long life... and the fertility of his youth.
In representations of one of the important Min festivals, the Pharaoh was shown hoeing the ground and watering the fields while Min looked on. At the Min festival held at the beginning of the harvest season, the Pharaoh was seen ceremonially reaping the grain ... When he begot his heir (ritually at the same festival) the Pharaoh was again identified with Min.
As with Osiris, Min was an agricultural god - at Medinet Habu, Ramses III is shown scything a sheaf of wheat for the Festival of Min. There are also scenes of pharaohs ceremonially hoeing the ground and watering the fields under the supervision of Min. It is interesting to note that a virgin was poetically referred to as an 'unplowed field'.
Men Erecting a Large Tent for the Feistval of Min Depictions of men climbing poles at the Feistval of Min used to be thought of as an activity Egyptologists called 'Climbing for Min'. It is now known that this was a very important part of the Festival - the erection of a large festival tent. It was so important that the only depiction of the Festival of Min was the scene showing the men climbing the poles of the tent!
He was also a god of the Eastern Desert, and it has been suggested that the description in the Pyramid Texts - 'the one who raises his arm in the east' - is actually talking about Min. With his association with the east, Min became a god who offered protection to travellers and traders - the caravan route went through Gebtu and headed out east to the Red Sea. At Wadi Hammamat (on the trade route), prayers and thanks to the god Min were found. Min was also worshiped by the men who worked the mines and the men who quarried the stone at Hammamat. At this particular Wadi, Min was given the title "Min, the Male of the Mountain", a title with the word 'male' being similar to the hieroglyph for 'foremost'. Montuhotep IV set out on an expedition to Hammamat:
Year Two, second month of the inundation, day 15 of the reign of Horus, lord of the two lands, two ladies lord of two lands, divine of gold, the king of Upper and Lower Egypt Nebtawyra, son of Ra, Montuhotep, living forever.
His majesty decreed the erecting of this decree for his father Min - Lord of the Foreign Lands, in this Mountain, the Noble One, the Primeval God Foremost of Place in the Land of the Horizon Dwellers, the Palace of the God, to Endow with Life the Divine Nest of Horus with which this God (Min) is Content, his Pure Place of Enjoyment which has Authority over the Uplands and God's Lan - in order that his ka be content.
...
Min, Being Worshiped and Given Offerings
"My majesty caused the Prince - the Overseer of the City, the Vizier, the Overseer of the Royal Constructions - his Trustee Amenemnhat, to go forth with an army of 10000 men from the southern nomes of Upper Egypt, the foremost ones of the Theban nomes, to bring me excellent rich pure blocks, which are in this mountain whose excellence Min made, to be a sarcophagus, a remembrance of eternity and to be monuments in the temple of Upper Egypt, being one whom the king who is upon the Two Lands sent to bring him his wishes from the hill countries of his father Min."
He made it as his monuments for his father Min of Gebtu, Lord of the Hill Countries, who is upon the Chieftain of the Bowmen, so that he might achieve of "state of given life". He who lives like Ra, eternally.
Gebtu was a cult centre for both Min and Isis, and in this city, Min became the husband of Isis and father of Horus because of his powers of fertility. In later periods he was possibly placed in a triad to the Syrian love goddess Qedeshet (Kadesh, Qadesh, Qetesh, Qudshu) and the Syrian god of war and thunder, Reshef (Reshep, Reshpu). It was likely that Min was placed with these two deities from the east of Egypt because he was both god of the Eastern Desert and Lord of Foreign Lands. He was also thought to be the son-husband of the goddess of the east, Iabet, again through his position of god of the Eastern Desert.
Relief of Ancient Egyptian Lettuce
Photo taken with kind permission of the Petrie Museum, London
... Min, Lord of the Processions,
God of the High Plumes,
Son of Osiris and Isis,
Venerated in Ipu,
Gebtu's Horus of the Strong Arm.
-- Hymn to Min
Despite being a god of the desert, Min was still a fertility god and a lunar god - moon deity tended to be gods relating to moisture and thus of fertility. As a lunar deity Min was sometimes given the title "Protector of the Moon". In this capacity, the god was related to the Egyptian calendar - the last day of the lunar month was consecrated to the deity, and the day was known as "The Exit of Min". He was, in later times, thought to preside over the fifth month of the Egyptian calendar, known by Greek times as Tybi.
With his many different aspects, Min was a popular god of the ancient Egyptians. Min was worshiped right through Egyptian predynastic times up to Roman times, a deity whose temples were built and rebuilt through Egypt's entire history.


Can you have a look at my Egyptology Column for more Hieroglyph Lessons, Egyptian gods and goddess articles and more!
You can check out my other articles, or search to find specific information in my articles.

© Caroline Seawright 2001

Wednesday, May 11, 2011

The Cranberries - Pretty


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"Pretty"

You're so pretty the way you are.

You're so pretty the way you are.
And you had no reason,
To be so insolent to me.
You're so pretty the way you are.

La, la, you got to say it if you want to,
But you won't change me.
La, la, you got to say it if you want to,
But you won't change me.

You're so pretty the way you are.
You're so pretty the way you are.
And you had no reason,
To be so insolent to me.
You're so pretty the way you are.

La, la, you got to say it if you want to,
But you won't change me.
La, la, you got to say it if you want to,
But you won't change me.


 

Saturday, April 30, 2011

Faithless - No Roots Vs Vladimir Kush




Photobucket
Download MP3    (click to download )
[Maxi Jazz]
My love is generations old,
I was there when trees died as the world went cold
Still there when my people were bought and sold
What's going on? What's going on?
[Dido]
Your love is on a grand scale
Mine is in the detail
Your love is to change the world
We just want to have to hold
Two hearts, both forgiving
Two ways to see the same thing
One house there's room for all
We just want to have to hold [2x]
[Maxi Jazz & Dido]
No roots, no tree, no family, no me
[Maxi Jazz]
Our first fuck was more planning than luck
I had a deep understanding of what makes you (hot)
I did my homework till my dome hurt, I was a stone flirt
Hustling for some prone work, and I don't stop
I knew that you were good for me,
You 'n I fit together so beautifully
But only for three years were we in harmony
I've ended up part you, part me,
Love that we agree, not be ugly
And now that we're free to create our own destiny
You will always be a friend to me
My love persists over land and sea, through centuries
I'll fill you up like rice and peas,
Like the breeze, Cool ya skin, fill your hair,
Even when I'm not there.
Like the breeze, Cool ya skin, fill your hair,
Even when I'm not there.
Like the breeze, Cool ya skin, fill your hair,
Even when I'm not there.
Like the breeze, Cool ya skin, fill your hair,
Even when I'm not there.
Currently listening:
No Roots
By Faithless
Release date: 2004-06-07

Vladimir Kush