Friday, August 19, 2011

Massive Attack - Angel



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"Angel"

[Horace Andy]

You are my angel
Come from way above
To bring me love

Her eyes
She's on the dark side
Neutralize
Every man in sight

To love you, love you, love you ...

You are my angel
Come from way above

To love you, love you, love you ...

Tuesday, August 16, 2011

ENIGMA - MMX - The Social Song

ENIGMA - MMX - The Social Song  

 

Wiki  



Ama jefarerida coro so fobi 
Mariama le godo foro gosta gei 
Hemei jalacarija coroco fouja 
Sama fini recina solo gofo lebei 

There is a rhythm in your mind 
You'll feel the power deep inside 
Oh let's celebrate every single day. 
There ain't no mountain I can't climb 
The melody makes me high 
Sing a song along the way 
(Sing the song)

Monday, August 15, 2011

Francisco Goya - Maja



Maja

The Nude Maja, ca. 1800. Said to be the first explicit depiction of female pubic hair in a large Western painting, though others had hinted at it before.
The Clothed Maja, ca. 1803, the more chaste companion, but teasing, provocative, panel
Two of Goya's best known paintings are The Nude Maja (La maja desnuda) and The Clothed Maja (La maja vestida). They depict the same woman in the same pose, naked and clothed, respectively. Without a pretense to allegorical or mythological meaning, the painting was "the first totally profane life-size female nude in Western art".[15]
The identity of the Majas are uncertain. The most popularly cited models are the Duchess of Alba, with whom Goya was sometimes thought to have had an affair, and Pepita Tudó, mistress of Manuel de Godoy; Godoy subsequently owned them. Neither theory has been verified, and it remains as likely that the paintings represent an idealized composite.[16] The paintings were never publicly exhibited during Goya's lifetime. They were owned by Manuel de Godoy, the Prime Minister of Spain and a favorite of the Queen, María Luisa.[17] In 1808 all Godoy's property was seized by Ferdinand VII after his fall from power and exile, and in 1813 the Inquisition confiscated both works as 'obscene', returning them in 1836 to the Academy of Fine Arts of San Fernando.[18]